![]() Read our full reviewĬomposite: Lee Smith/Reuters Joel Anderson/ITV 29 Insecure It’s undeniable ace was Amy Adams, hauntingly measured and utterly unafraid to burrow deep under the skin of her indefinable character. (HBO/Sky Atlantic) Prioritising mood and thematic texture over narrative, the eight-part drama was a confounding, fascinating and artistically satisfying experience. But his most impressive feat was arguably following up Atlanta, his surreal examination of African American life, with a second series (subtitled Robbin’ Season) as ambitious and odd as the first. Then he produced the most talked about music video in years for his song This Is America. That was after he announced his departure from the animated Deadpool series by releasing a satirical script mocking Hollywood’s tone-deaf tendencies on race. ![]() He starred as Lando Calrissian in Solo: A Star Wars Story. Photograph: Des Willie/BBC/Forgiving Earth 9 Atlanta Magnificent … Michaela Coel in Black Earth Rising. The alchemy of the setup – from the whip-smart script to its authentic production – suggests that there are plenty of enjoyable telly-watching hours to be had in Derry yet. For all its the humour, there is also a gravitas missing from other nostalgic teen comedies. (Channel 4) Its universality was just part of why it became Channel 4’s largest comedy launch in five years. This was prestige TV’s answer to a night-time soap such as Dynasty, Dallas or Empire, full of twists and turns, showdowns and power grabs. For all its insights about the 1%, Succession wasn’t made to be studied, it was made to be gorged in one sitting. (HBO/Sky Atlantic) Jesse Armstrong’s comedy-drama quickly became the year’s most deliciously guilty pleasure, an engrossing prestige TV melodrama of squabbling and secrecy that doubled as a canny critique of bloated end-times capitalism, and was arguably the year’s funniest show to boot. Photograph: Ollie Upton/Showtime 5 Succession At the heart of all this was a career-best performance by Benedict Cumberbatch, who tweaked his jittery Sherlock persona, replacing brittle neurosis with a despairing wildness. It was a case study in the corrupting nature of privilege and a demonstration of how Britain’s upper classes nurture myths to obscure difficult truths. (Sky Atlantic/Showtime) As well as being a remarkable study of addiction, Patrick Melrose was full of wider resonances. Yet the water cooler-hit of the decade was also a surprisingly thoughtful show. For a few weeks this autumn the six-part series from Jed Mercurio, the king of the out-of-nowhere twist, dominated conversation to such an extent that no other programme stood a chance. (BBC One) The BBC’s biggest ratings hit in a decade was that rarest of things: a pure adrenaline jolt of entertainment. Photograph: Sophie Mutevelian/AP 3 Bodyguard ![]() Just remember, as you think back to your days of acne and locker combinations, what it took to make it through to the other side and into your adulthood.Anarchic … Ben Whishaw, left, and Hugh Grant in A Very English Scandal. Hey, you can even find a teen sci-fi movie with elements of time-travel in there. (Especially for those romantic comedy fans: With movies like To All the Boys I’ve Loved Before, Dude, Candy Jar and The Kissing Booth, Netflix has swept all corners of the rom-com.) Whether you want a heart-tugging romantic movie, an awkward cringe comedy, an all-encompassing melodrama or a movie that uses high school as a metaphor for society at large, Netflix has a top film that’ll fit the bill. The best teen movies on Netflix do some of these, if not all. Or maybe it’s because teenagers have absolutely no filter so the filthiest jokes come out of their mouths. Maybe it’s because the first blush of love is always the strongest. Maybe it’s because emotions during that age are so raw and powerful, they leave an impression, even years later. ![]() It's hard to pin down why these movies are so comforting. And there's nothing more comforting than a swoony, cringey, hilarious teen movie. What most of us long for is a big comfort-watch. In these times, we're no longer looking for prestige viewing.
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